Scene 4. She may discover he is not Giovanni. Don Giovanni and Leporello make jokes about Elvira. Suddenly, the statue comes into the room. He may have had to cut the last scene to keep the performance within a certain length of time. Hell opens. The statue takes Giovanni's hand. She tells him to beat her, if that will make him feel better. Votes: 6,962 Don Giovanni takes an interest in a peasant girl named Zerlina. Ottavio says his love will comfort her. It was founded as Rosedale Cemetery in 1884,[1] when Los Angeles had a population of approximately 28,000,[2] on 65 acres (260,000 m2) of land running from Washington to Venice Boulevard (then 16th Street) between Normandie Avenue and Walton and Catalina Streets, and often used by California politicians, notably former Mayors of the City of Los Angeles. [2], Mozart left Prague for Vienna in November 1787. It was a great success. Anna and Ottavio meet Don Giovanni. When Leporello is left alone, he escapes. Uplift Your Priests-Our priests are being called into great heroic action by offering the sacraments, finding creative ways to serve parishioners, and…; Family Movie Night-Presented by the Holy Spirit Parish School of Religion May 8th at 6:30 p.m. in the Family Life Center join…; Mass Attendance & COVID Policies-We do NOT take reservations for Mass attendance. Things to Do in Bratislava, Slovakia: See Tripadvisor's 164,631 traveler reviews and photos of Bratislava tourist attractions. A garden at Don Giovanni's palace. As Abert summarized it, in spite of the finale, 'the point of the opera is not to proclaim a universal moral, but to depict the decisive battle between two tremendous forces. [5] The initial cremation took place on June 16, when the body of Mrs. Olive A. Bird (c. 1845–1886), wife of prominent physician O.B. One legend says Luigi Bassi, the 22 year old singer playing Don Giovanni, wanted more music to sing. A servant ties Leporello to a chair. Another legend says Mozart's wife Constanze kept her husband awake with funny stories the night before the first performance so he could complete the overture to the opera. Leporello stays behind. Evening on a street in Seville. She is certain he will be punished. In 1979, Joseph Losey made a movie of the opera. [15], Nicholas Kenyon writes: "The power Don Giovanni unleashes is almost too great; if it is an uneven work then it is only imperfect in the way that King Lear is imperfect, from an excess of feeling. The first performance of the opera was postponed. It is about the character better known as Don Juan. The two hear others coming into the street. Ottavio has a pistol. Three years later, he adapted a French play called The Marriage of Figaro to an opera libretto for Mozart. Scene 3. Elvira is left alone. Scene 4. Sound Of Music Movie Tour Connection: Saint Peter’s was the inspiration for the cemetery the Von Trapps used to hide from the Nazis at the end of the movie, although the scene was filmed in Hollywood. This passage is also played when the statue of the Commendatore calls for Don Giovanni to repent at the end of the opera. When one would reject his passes, he would simply move on to the next. Zerlina comes back with Elvira and Masetto. It was dropped at the Burgtheater after fifteen performances. In Vienna, Mozart asked da Ponte for a libretto. In 1887, the second crematory in the US was opened at Rosedale Cemetery. It is not related to music in opera. The two make up. Then the movie begins to take on serious challenges. The opera was a wild success. She is shocked with this suggestion. Zerlina finds Masetto and comforts him. Giovanni sings a serenade. Like Figaro, Giovanni has held the stage from its premiere through to the present; it has fitted the nineteenth-century's wish for a Romantic, powerful Mozart and the twentieth-century's for a politicised, critical Mozart". Anna, Ottavio, Zerlina, and Masetto open a door in the wall, and find Leporello. [16], From Simple English Wikipedia, the free encyclopedia, sfn error: no target: CITEREFBleiler1964 (, sfn error: no target: CITEREFZaslaw1990 (, sfn error: no target: CITEREFAngermüller2008 (, https://simple.wikipedia.org/w/index.php?title=Don_Giovanni&oldid=7330108, Creative Commons Attribution/Share-Alike License, 1934: Ezio Pinza (Don Giovanni), Rosa Ponselle (Donna Anna), Maria Müller (Donna Elvira), Edita Fleischer, (Zerlina) Tito Schipa (Don Ottavio), Virgilio Lazzari (Leporello), Louis D'Angelo (Masetto), Emanuel List (Commendatore); The Metropolitan Opera Orchestra and Chorus, Tullio Serafin - (Andromeda); (Live performance), 1936: John Brownlee (Don Giovanni), Ina Souez (Donna Anna), Luise Helletsgruber (Donna Elvira), Audrey Mildmay (Zerlina), Koloman von Pataky (Don Ottavio), Salvatore Baccaloni (Leporello), Roy Henderson (Masetto), David Franklin (Commendatore); Glyndebourne Festival Orchestra and Chorus, Fritz Busch - (EMI Classics), 1937: Ezio Pinza (Don Giovanni), Elisabeth Rethberg (Donna Anna), Luise Helletsgruber (Donna Elvira), Margit Bokor (Zerlina), Dino Borgioli (Don Ottavio), Virgilio Lazzari (Leporello), Karl Ettl (Masetto), Herbert Alsen (Commendatore); Chor der Wiener Staatsoper, Wiener Philharmoniker, Bruno Walter - (Urania); (Live performance), 1942: Ezio Pinza (Don Giovanni), Rose Bampton (Donna Anna), Jarmila Novotná (Donna Elvira), Bidu Sayão (Zerlina), Charles Kullman (Don Ottavio), Alexander Kipnis (Leporello), Mack Harrell (Masetto), Norman Cordon (Commendatore); The Metropolitan Opera Orchestra, Bruno Walter - (Andromeda); (Live performance), 1950: Tito Gobbi (Don Giovanni), Ljuba Welitsch (Donna Anna), Elisabeth Schwarzkopf (Donna Elvira), Irmgard Seefried (Zerlina), Anton Dermota (Don Ottavio), Erich Kunz (Leporello), Alfred Poell (Masetto), Josef Greindl (Commendatore); Chor der Wiener Staatsoper, Wiener Philharmoniker, Wilhelm Furtwängler - (EMI Classics); (Live performance), 1955: Cesare Siepi (Don Giovanni), Suzanne Danco (Donna Anna), Lisa Della Casa (Donna Elvira), Hilde Gueden (Zerlina), Anton Dermota (Don Ottavio), Fernando Corena (Leporello), Walter Berry (Masetto), Kurt Böhme (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Josef Krips - (Decca), 1958: Dietrich Fischer-Dieskau (Don Giovanni), Sena Jurinac (Donna Anna), Maria Stader (Donna Elvira), Irmgard Seefried (Zerlina), Ernst Haefliger (Don Ottavio), Karl-Christian Kohn (Leporello), Ivan Sardi (Masetto), Walter Kreppel (Commendatore); RIAS Kammerchor, Radio-Symphonie-Orchester Berlin, Ferenc Fricsay - (Deutsche Grammophon), 1959: Eberhard Wächter (Don Giovanni), Joan Sutherland (Donna Anna), Elisabeth Schwarzkopf (Donna Elvira), Graziella Sciutti (Zerlina), Luigi Alva (Don Giovanni), Giuseppe Taddei (Leporello), Piero Cappuccilli (Masetto), Gottlob Frick (Commendatore); Philharmonia Orchestra and Chorus, Carlo Maria Giulini - (EMI Classics), 1959: Cesare Siepi (Don Giovanni), Birgit Nilsson (Donna Anna), Leontyne Price (Donna Elvira), Eugenia Ratti (Zerlina), Cesare Valletti (Don Ottavio), Fernando Corena (Leporello), Heinz Blankenburg (Masetto), Arnold van Mill (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Erich Leinsdorf - (Decca), 1966: Nicolai Ghiaurov (Don Giovanni), Claire Watson (Donna Anna), Christa Ludwig (Donna Elvira), Mirella Freni (Zerlina), Nicolai Gedda (Don Ottavio), Walter Berry (Leporello), Paolo Montarsolo (Masetto), Franz Crass (Commendatore); New Philharmonia Orchestra & Chorus, Otto Klemperer - (EMI Classics), 1967: Dietrich Fischer-Dieskau (Don Giovanni), Birgit Nilsson (Donna Anna), Martina Arroyo (Donna Elvira), Reri Grist (Zerlina), Peter Schreier (Don Ottavio), Ezio Flagello (Leporello), Alfredo Mariotti (Masetto), Martti Talvela (Commendatore); Tschechischer Sängerchor Prag, Orchester Des Nationaltheaters Prag, Karl Böhm - (Deutsche Grammophon), 1968: Gabriel Bacquier (Don Giovanni), Joan Sutherland (Donna Anna), Pilar Lorengar (Donna Elvira), Marilyn Horne (Zerlina), Werner Krenn (Don Ottavio), Donald Gramm (Leporello), Leonardo Monreale (Masetto), Clifford Grant (Commendatore); The Ambrosian Singers, English Chamber Orchestra, Richard Bonynge - (Decca), 1973: Ingvar Wixell (Don Giovanni), Martina Arroyo (Donna Anna), Kiri Te Kanawa (Donna Elvira), Mirella Freni (Zerlina), Stuart Burrows (Don Ottavio), Wladimiro Ganzarolli (Leporello), Richard Van Allan (Masetto), Luigi Roni (Commendatore); Chorus and Orchestra of the Royal Opera House, Covent Garden, Colin Davis - (Philips), 1977: Sherrill Milnes (Don Giovanni), Anna Tomowa-Sintow (Donna Anna), Teresa Żylis-Gara (Donna Elvira), Edith Mathis (Zerlina), Peter Schreier (Don Ottavio), Walter Berry (Leporello), Dale Duesing (Masetto), John Macurdy (Commendatore); Wiener Staatsopernchor, Wiener Philharmoniker, Karl Böhm - (Deutsche Grammophon), 1978: Bernd Weikl (Don Giovanni), Margaret Price (Donna Anna), Sylvia Sass (Donna Elvira), Lucia Popp (Zerlina), Stuart Burrows (Don Ottavio), Gabriel Bacquier (Leporello), Alfred Sramek (Masetto), Kurt Moll (Commendatore); London Opera Chorus, London Philharmonic Orchestra, Georg Solti - (Decca), 1983: Thomas Allen (Don Giovanni), Carol Vaness (Donna Anna), Maria Ewing (Donna Elvira), Elizabeth Gale (Zerlina), Keith Lewis (Don Ottavio), Richard Van Allan (Leporello), John Rawnsley (Masetto), Dimitri Kavrakos (Commendatore); Glyndebourne Festival Chorus, London Philharmonic Orchestra, Bernard Haitink - (EMI Classics). They want to punish him. It was performed in Poland in 1789. This page was last changed on 26 January 2021, at 02:44. A nearby street. [6] Molière wrote Dom Juan in 1665, and Thomas Shadwell wrote an English play in 1676. [13], Legend says the performance in Vienna ended with Don Giovanni going to Hell. The Emperor ordered the opera to be produced at the Burgtheater. In 1979, Joseph Losey made a movie of the opera. Don Giovanni was performed across Europe after its success in Prague. Don Giovanni is about a libertine and murderer who refuses to repent when given the chance. Da Ponte gave him Don Giovanni. He enters the street with Leporello. Learn how design can be used to create a greener world, from sustainable architecture and tiny homes to eco-friendly remodeling and urban planning. The Marriage of Figaro had its first performance in Vienna on May 1, 1786. When Elvira enters, Leporello is sent off with the lady. Mozart wrote some new music for the characters of Elvira and Ottavio. Their film is a busy, disorienting spectacle, superbly sung ... ", The Earl of Harewood writes: "Don Giovanni is too full of arias, many of them famous, for its own dramatic good. Early in October, he went to Prague. He changes clothes with Leporello. He sees Elvira and leaves. Giovanni comes back when they leave. (This scene is cut in modern performances.) There were other operas written about Don Juan. Scene 6. This film is mostly a disconnected series of gags, including a snake-in-the-toilet scene and a silly haunted cemetery episode (with nudity). In three months, Mozart had completed the music. He laughs at her, and she leaves. He tells everyone that Leporello attacked Zerlina. Don Giovanni comes into the room. The manager of the opera house hired Mozart to write an opera for Prague. She screams. Elvira begs him to repent and change his way of life before it is too late. In 2013, Don Giovanni was tenth on the Operabase list of the most-performed operas in the world.[3]. 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